Anchor Level, the middle of your after results universe
We like to animate the opacity and place, however what can we do with the anchor level? On this world of steadiness and temporal relationships, you would say that the anchor level is the middle of your After Results universe. Let’s have a look at why.
It’s good to perform a little “After Results math” to get good at utilizing an anchor level, and the primary is to grasp how After Results attracts its mesh, and the second is to grasp how generally an anchor level is what I I’d name it relative. worth.
Create a composite and choose the “Internet Video, 320×240” composite preset for simple numbers. Create a textual content layer and kind the letter “a”. Now create a form layer, however do not draw something but. Additionally create a stable layer with default composition measurement settings. Beneath the highest dropdown menu choices, choose View, Present Guidelines. This may show a ruler with items laid out in pixels. It is a helpful instrument for seeing your spatial relationships and particularly for aligning objects. There may be additionally a Present Grid possibility that applies a grid to your composition workspace.
Have a look at the numbers displayed in your ruler. The origin of your “part” is the highest left, the place you may see 0 for x and 0 for y. For those who visually examine the world, you’ll be able to see that it’s 320 pixels extensive and 240 pixels excessive. The information panel shows the coordinates underneath your mouse. In case your data panel is not open, simply click on “Information” underneath the window drop-down menu on the far proper.
Maintain the mouse on the higher left arm of the stage, then transfer to the decrease proper nook. You will note values from “0.0” to “320,240”. You see your letter “a” within the middle of the stage. Click on on all three of your layers, then sort the keyboard shortcut “a” to show their anchor level worth.
You will see “160, 120” for the stable, and “0,0” on your textual content and form. I’ll refer to those values as “relative” as a result of all of them have the identical anchor level, the middle of the composition. Only for a easy illustration, create a second form layer and draw one other ellipse. Choose each layers, sort “a” to show the anchor level. You will note “0,0”. Now sort “r” for rotation and add the rotation worth for each shapes.
You will note them rotate across the middle of your composition. It is sensible that every object shares a central anchor level, however it may be a bit complicated if you see completely different numbers of the identical worth. Utilizing a mix of your grid, dashboard, and understanding these relative values of photographs and textual content will enable you use the anchor setup with confidence.
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